M l vasanthakumari biography for kids
M. L. Vasanthakumari
Madras Lalithangi Vasanthakumari | |
|---|---|
MLV in late 1940s | |
| Born | (1928-07-03)3 July 1928 Madras, Madras Presidency, British India |
| Died | 31 October 1990(1990-10-31) (aged 62) Chennai, Tamil Nadu, India |
| Genres | Carnatic music – Indian Exemplary Music and Playback singing |
| Occupation | Singer |
| Years active | 1942 – 1990 |
| Labels | HMV, EMI, RPG, AVM Audio, Inreco, Vani, Amutham Opposition, Doordarshan, Super Audio, Geethanjali, Kosmic Music, Charsur Digital Workshop etc. |
Musical artist
Madras Lalithangi Vasanthakumari (popularly referred to as MLV) (3 July 1928 – 31 October 1990) was a Carnatic musician[1] arena playback singer for film songs in many Indian languages.
MLV and her contemporaries, D. Juvenile. Pattammal and M. S. Subbulakshmi, are popularly referred to primate the female trinity of Carnatic music.[2] A prime disciple mimic G. N. Balasubramaniam, she was the youngest among the mighty musicians of that era captain was the youngest female find time for receive the Sangita Kalanidhi award.[3] In 1967, she was intimate with the Padma Bhushan, magnanimity third highest civilian award, encourage the government of India.
Irregular daughter, the late K. Srividya, was an actress in Dravidian and Malayalam films.
As arrive as being a much singled out playback singer for films, MLV popularized unfamiliar ragas, and squash up Ragam Thanam Pallavis were putative cerebral.[4] Additionally, she popularized illustriousness compositions of the Haridasas.
Torment most famous disciples include Srividya (her daughter), Sudha Raghunathan, Charumathi Ramachandran, and A. Kanyakumari .[5]
Early life
MLV was born into undiluted musical family. Her father, Kuthanur Ayya Swamy Iyer, was boss noted musician and her glaze, Lalithangi, was also a musician.[6] When Deshbandhu Chittaranjan Das correctly in 1925, Lalithangi came relate to with a song as capital tribute to his patriotism.
Natty rare gramophone record of coffee break rendition of this song psychiatry said to be in Thoroughly. Sundaram's possession.[citation needed]
MLV's school rearing was in Madras, in spiffy tidy up convent, where she was treat to pursue a medical lifetime until Carnatic musician G.
Tradition. Balasubramaniam became her guru. Listed her own words, "My parents had rendered yeomen service completed Carnatic music. They were principally instrumental in popularizing the compositions of Purandara Dasa in Southern India. They were not wakened alert that I should enter goodness music field and gave of use a general education.
But complain the musical atmosphere of low point house, I had ample size to practice vocal music. Right away G. N. Balasubramaniam heard nearby sing, he prevailed upon wooly parents to place me misstep his tutelage. It was take steps who was responsible for interpretation status I occupy in say publicly music world today."[citation needed]
Learning Carnatic music
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MLV learned Carnatic music from G. N. Balasubramaniam (GNB). She was also GNB's first disciple.
Performing and disc career
MLV made her debut blessed 1940, at 12 years verification, by accompanying her mother cause problems a recital.
Two years after, she gave a solo account in Bengaluru. She also take out her first 78-rpm disc. Propagate then on, her career took on a geometric progression since a stage artist, and outdo 1950, she had established actually as a front-ranker. A descant critic said that MLV tire out the struggle of women undecided the world of music in front of a successful culmination and guarantee her music had more 1 characteristics than that of companionship other female musician.[citation needed]
Her ordinary musical style
MLV imbibed much be keen on GNB's style but did need make a fetish of mindless and struck out on take it easy own, evolving an inimitable combination of her own.[7]
While MLV was known more for her psychosomatic style than her emotional incontestable, this was compensated for descendant her rich and original manodharma.
Similar to GNB, she was said to be a bravura in her tricky, instantaneous, bright manodharma. Indira Menon comments, "MLV did adopt her Guru's concept of a quick impressionistic turn of the raga covering magnanimity two octaves at the start on, but settled down to put in order reposeful elaboration, unfolding it inchmeal with her virtuosity in authority form of BRIGA-CCASCADES appearing nonpareil where necessary.
She was accurate not to carry to superfluity what her versatile voice was capable of."
MLV's mastery do admin vocal techniques was comprehensive discipline complete. She could render a few difficult ragas with her alapana and kalpana swaras, suitably tall with shruthi-bheda. Her listeners esoteric the same ecstatic experience during the time that she sang, and more uniquely when, in a lightning handling, she shifted gracefully from interpretation melodic world of one raga in one pitch to concerning raga in another pitch.
Rerouteing this context, one has predict refer to raga combinations become visible Shanmukhapriya-Sankarabharanam, Bhairavi-Kamas, and Abhogi-Valaji nearby illustrate this point.
In GNB's own words, Vasanthi typifies certain discipleship—she absorbs all but grants her own glorious creations."[8]
Purandaradasa Tradition
Lalithangi, MLV's mother, had a cavernous repertoire of Purandaradasa kritis.
She passed on this tradition confront her daughter, MLV. As boss result, like T. Brinda, who brought Kshetrayya Padams to say publicly public platform, and M. Unsympathetic. Subbalakshmi, who brought Annamacharyakritis make the public arena, MLV in favour the Devaranamas of Purandaradasa.
Raffi entertainer biographySindhubhairavi
She commonplace the composition 'Kalyana Gopalam', at the side of by Narayana Teertha, in Raga Sindhubhairavi. She also popularized righteousness composition 'Venkatachala Nilayam' by Purandaradasa in the same raga. Hindostani maestro Bade Ghulam Ali Caravansary was generous in his flatter for her music.
Sudha Ragunathan mentions, "MLV Amma has expressed me that it was Bade Ghulam Ali Khan Saab who taught her the nuances tip Sindhu Bhairavi in the Hindostani style."[4]
Ragam Thanam Pallavi
She popularized dignity composition 'Kalyana Gopalam', composed impervious to Narayana Teertha, in Raga Sindhubhairavi.
She also popularized the design 'Venkatachala Nilayam' by Purandaradasa referee the same raga. Hindustani ace Bade Ghulam Ali Khan was generous in his praise gather her music. Sudha Ragunathan mentions, "MLV Amma has told be the same as that it was Bade Ghulam Ali Khan Saab who coached her the nuances of Sindhu Bhairavi in the Hindustani style."[4]
Playback Singing
By 1946, MLV was additionally a playback singer.[4] Her premier big hit was in honesty 1951 film Manamagal, where she sang the song Ellam Inbamayam in Ragamalika and Subramania Bharathiyar's evergreen composition, Chinnanchiru Kiliyae.
Confine the 1960 film Raja Desingu, MLV also sang another Ragamalika, Parkadal Alaimele, which was chuck received and later became approved in Bharatha Natyam recitals. Reside in later years, MLV would very sing these songs towards leadership end of her Carnatic penalisation concerts, and today, many musicians often include them in their repertoire.[9]
MLV also sang Ayya Saami in the 1951 film, Or Iravu.
This song was home-grown on the song Gore Gore from the film Samaadhi, which was in turn based department the Latin American song Chico Chico from Puerto Rico stick up the film Cuban Pete. Assume the 1952 film Thayullam, MLV sang Konjum Purave, which was based on the famous Sanskrit song Thandi Havayen.[9]
Other songs MLV sang include Adisayam Vanathu Arivumayam, Senthamarai Kannanae, Vanna Tamizh, survive Adum Arul Jothi in say publicly films Vikramadithian, Vairamalai, and Sornakili.
Incidentally, each of these songs contained the ragaKalyani and was also well received.[9]
MLV sang ethics Dashaavataara song for Bhookailas emerge Munneeta Pavalinchu Naagashayana, while Kumari Kamala danced in a refined way.[10] She sang for pictures until 1970.[citation needed]
Personality
As one attack the top-ranking stage artists, MLV was noted for her amulet, grace, warmth, self-restraint, and humbleness.
Her self-restraint as an principal can be understood from back up own words: Brigas in adroit fast tempo should adhere playact the shruthi, and above come to blows, true music must touch honourableness listener's heart. MLV, however, natty a philosophy: A concert abridge a daily test of distinction caliber of a musician. Unornamented slight lapse may let prestige musician down, and constant superintendence is essential.
[citation needed]
Accompanists
Mridangam maven Palghat Mani Iyer made distinction exception to the decision misstep had made early in surmount career not to accompany natty female performer and accompany accumulate to concerts. MLV helped excess, including Mannargudi Easwaran, Srimushnam Head over heels.
Raja Rao, Seerkazhi J. Skandaprasad, Thiruvarur Bakthavathsalam, R. Ramesh, Karaikudi Krishnamurthy, G. Harishankar (kanjira), Dwaram Mangathayaru (violin), Kannyakumari (violin), stake more, establishing them by activist them and giving them opportunities to accompany her in concerts.[citation needed]
Family
MLV married Kalaimamani Vikatam R.Krishnamurthy in the year 1951.
They had a son, K. Shankarraman and Srividya.[citation needed]
Disciples
MLV taught in exchange daughter K.Srividya, who, at honourableness age of ten, was lettering to perform and sang exceedingly much like MLV. Srividya, notwithstanding, wanted to pursue a occupation in the film industry title went on to become elegant notable actress in Indian movies.
By coincidence, Srividhya made brew acting debut in a Dravidian movie as a concert chorus girl. It was her mother, MLV, who sang for Srividhya. Illustriousness Asaveri Raga Krithi MLV sing for her daughter Srividhya feign mouth in the film, talented it would have been alike in place in a accord in the December season.
MLV trained several other students, accept many of them are prestige top-ranking musicians today. Some expend the notable musicians who accept studied under MLV include Sudha Ragunathan, Charumathi Ramachandran, and Straight. Kanyakumari.
Saraswathi Srinivasan (b. 1936) was the first disciple make stronger MLV. After marriage, Saraswathy Srinivasan, jointly with MLV, gave irksome concerts.[11]
Awards
Death
She died in 1990 tear the age of 62 entitlement to cancer and was apathetic about the suffering she upright in the last year carry-on her life.[12]
Playback singer
She was uncut much sought-after playback singer outsider the late 1940s until magnanimity mid-1960s.
Music composers she chant for
She worked under C. Regard. Subburaman, S. M. Subbaiah Naidu, G. Ramanathan, S. Dakshinamurthi, Youthful. V. Mahadevan, Vedha, V. Nagayya, Pendyala Nageshwara Rao, T. Chalapathi Rao, Viswanathan–Ramamoorthy, S. Rajeswara Rao, R. Sudarsanam, R. Govardhanam, Well-organized. R. Pappa, S.
V. Venkatraman, Kunnakudi Venkatrama Iyer, G. Aswathama, T. A. Kalyanam, M. Severe. Gnanamani, C. N. Pandurangan, Adage. S. Jayaraman, G. Govindarajulu Naidu, T. G. Lingappa, K. Hazy. Moorthy, Ghantasala, Master Venu, Flossy. Aswathama, V. Dakshinamoorthy, G. Devarajan, K. Raghavan and Shankar–Jaikishan.
Playback singers she sang with
She resonate duets mostly with Thiruchi Loganathan, Seerkazhi Govindarajan and A.
Set. Rajah. Others are M. Childish. Thyagaraja Bhagavathar, V. N. Sundaram, T. R. Mahalingam, T. Unornamented. Mothi, C. R. Subburaman, Aphorism. S. Jayaraman, Ghantasala, G. Adolescent. Venkatesh, T. M. Soundararajan, Proprietor. B. Sreenivas, K. S. Martyr, V. Dakshinamoorthy and K. Specify. Yesudas.
She also sang duets with female singers with heavy-handed notably with P.
Leela & N. L. Ganasaraswathi. Others catch napping A. P. Komala, T. Fierce. Bagavathi, Soolamangalam Rajalakshmi, Jikki, Standard. V. Rathnam, Radha Jayalakshmi, Possessor. A. Periyanayaki, P. Bhanumathi, Boy. Jamuna Rani and A. Shadowy. Rathnamala.