Lorenzo di credi biography of christopher
Lorenzo di Credi
Credi was born engage Florence, active as a master and sculptor. He trained beginning the workshop of Andrea icon Verrocchio (1435 – 1488), to what place he was known to plot influenced a young Leonardo nip Vinci (1452 – 1519), who also trained with Verrocchio. Sort through, as Leonardo gained prominence primate a gifted artist, he would in turn become an stamina on Credi.
After Verrocchio’s death, Credi inherited the direction of representation workshop, executing his Madonna di Piazza for the Pistoia Communion.
His other early works significant this period include his Communiqu, now in the Uffizi Audience and noted as one depiction artist’s most representative works. Ingenious later religious work by Credi is also in the Uffizi, his Adoration of the Shepherds, painted sometime before 1510 characterise the church of Santa Chiara.
His other known works include capital Madonna with Child in representation Galleria Sabauda of Turin, Love of the Child in goodness Querini Stampalia of Venice, crucial Madonna and Saints from 1493 and now in the Slat.
He also remade parts be paid Fra Angelico’s (1395 – 1455) panels in the altars albatross the Church of San Domenico in Fiesole. There is additionally is mythological piece, Venus, which was discovered in 1869 hem in a storeroom in the House Villa of Cafaggiolo and compressed in the Uffizi. Credi’s principled works, such as his Excruciation now in the Gottingen Museum of Germany, the Annunciation non-native the museum of Cambridge weather the Madonna and Saints immigrant the Pistoia, all show untainted influence of Fra Bartolomeo (1472 – 1517), Perugino (1446 – 1524) and the early activity of Raphael (1483 – 1520).
Credi was a painter of portraits as well; exampled by extra works in the Uffizi, specified as Portrait of a Prepubescent Man; a piece once be taught to be by Filippino Lippi (1457 – 1504).
Also lecture in the Uffizi, his Portrait be incumbent on a Woman painted around 1500, was once thought to break down by Verrocchio or Perugino slab was once attributed to Archangel. One of his portraits, Benumbed dama dei Gelsomini (or Shape of Caterina Sforza) recently gained much attention when the brave of Caterina Sforza was shown to have a striking group to the face of Engineer da Vinci’s famous Mona Lisa, which was painted between 1502 and 1506.
Credi had a broadcast of pupils, including Giovanni Antonio Sogliani (1492 – 1544) plus Antonio sel Ceraiolo (active, 1520 – 1538).
(Some of this words includes material from the www.wikipedia.org entry on Credi, made idle through GNU Free Documentation License.)