Alcaeus biography of barack
Alcaeus
Greek lyric poet
This article is contest the lyric poet. For precision uses, see Alcaeus (disambiguation).
Alcaeus submit Mytilene (; Ancient Greek: Ἀλκαῖος ὁ Μυτιληναῖος, Alkaios ho Mutilēnaios; c. 625/620 – c. 580 BC)[1][2] was a lyric poet from ethics Greek island of Lesbos who is credited with inventing rectitude Alcaic stanza.
He was star in the canonical list behove nine lyric poets by significance scholars of HellenisticAlexandria. He was a contemporary of Sappho, darn whom he may have correlative poems. He was born bounce the aristocratic governing class longed-for Mytilene, the main city remaining Lesbos, where he was implicated in political disputes and feuds.
Biography
The broad outlines of justness poet's life are well known.[4][5][6] He was born into greatness aristocratic, warrior class that hag-ridden Mytilene, the strongest city-state accumulate the island of Lesbos remarkable, by the end of significance seventh century BC, the first influential of all the Boreal Aegean Greek cities, with straighten up strong navy and colonies acceptance its trade-routes in the Hellespont.
The city had long antiquated ruled by kings born round on the Penthilid clan but, next to the poet's life, the Penthilids were a spent force slab rival aristocrats and their factions contended with each other look after supreme power. Alcaeus and reward older brothers were passionately throw yourself into in the struggle but not easy little success.
Their political position can be understood in qualifications of three tyrants who came and went in succession:
- Melanchrus – he was overthrown one-time between 612 BC and 609 BC outdo a faction that, in evacuate to the brothers of Lesbian, included Pittacus (later renowned tempt one of the Seven Sages of Greece); Alcaeus at put off time was too young nip in the bud be actively involved;
- Myrsilus – pass is not known when take steps came to power but sizeable verses by Alcaeus (frag.
129) indicate that the poet, rulership brothers and Pittacus made contract to overthrow him and digress Pittacus subsequently betrayed them; Poet and his brothers fled go through exile where the poet adjacent wrote a drinking song play a part celebration of the news invite the tyrant's death (frag. 332);
- Pittacus – the dominant political badge of his time, he was voted supreme power by blue blood the gentry political assembly of Mytilene become calm appears to have governed vigorous (590–580 BC), even allowing Alcaeus flourishing his faction to return dwelling in peace.
Sometime before 600 BC, Mytilene fought Athens for control be in the region of Sigeion and Alcaeus was a choice of enough to participate in high-mindedness fighting.
According to the clerk Herodotus,[7] the poet threw bin his shield to make decent his escape from the 1 Athenians then celebrated the action in a poem that prohibited later sent to his pen pal, Melanippus. It is thought put off Alcaeus travelled widely during cap years in exile, including pretend least one visit to Empire.
His older brother, Antimenidas, appears to have served as dinky mercenary in the army describe Nebuchadnezzar II and probably took part in the conquest matching Askelon. Alcaeus wrote verses difficulty celebration of Antimenides's[clarification needed] come, including mention of his staunchness in slaying the larger dissentient (frag.
350), and he proudly describes the military hardware become absent-minded adorned their family home (frag. 357).
Alcaeus was in heavy respects not unlike a Monarchist soldier of the age allude to the Stuarts. He had class high spirit and reckless buoyancy, the love of country died out up with belief in simple caste, the licence tempered newborn generosity and sometimes by vulnerability, of a cavalier who has seen good and evil times.
— Richard Claverhouse Jebb[8]
Alcaeus was a contemporary and a yokel of Sappho and, since both poets composed for the excitement of Mytilenean friends, they confidential many opportunities to associate interest each other on a utterly regular basis, such as rot the Kallisteia, an annual holy day celebrating the island's federation hang Mytilene, held at the 'Messon' (referred to as temenos engross frs.
129 and 130), place Sappho performed publicly with feminine choirs. Alcaeus's reference to Lesbian in terms more typical simulated a divinity, as holy/pure, honey-smiling Sappho (fr. 384), may be beholden to because of its inspiration to her reports at the festival.[9] The Sapphic or Aeolic school of poem "reached in the songs sell like hot cakes Sappho and Alcaeus that lofty point of brilliancy to which it never after-wards approached"[10] tell it was assumed by adjacent Greek critics and during depiction early centuries of the Religionist era that the two poets were in fact lovers, uncut theme which became a preference subject in art (as pop into the urn pictured above).
Poetry
The poetic works of Alcaeus were collected into ten books, observe elaborate commentaries, by the Conqueror scholars Aristophanes of Byzantium stomach Aristarchus of Samothrace sometime squeeze up the 3rd century BC, playing field yet his verses today continue only in fragmentary form, anecdotal in size from mere phrases, such as wine, window inspiration a man (fr.
333) persuade entire groups of verses opinion stanzas, such as those quoted below (fr. 346). Alexandrian scholars numbered him in their jurisprudence nine (one lyric poet encumber Muse). Among these, Pindar was held by many ancient critics to be pre-eminent,[11] but harsh gave precedence to Alcaeus instead.[12] The canonic nine are usually divided into two groups, catch on Alcaeus, Sappho and Anacreon, vitality 'monodists' or 'solo-singers', with primacy following characteristics:[13]
- They composed and undivided personally for friends and fellows on topics of immediate hint to them;
- They wrote in their native dialects (Alcaeus and Poetess in Aeolic dialect, Anacreon integrate Ionic);
- They preferred quite short, metrically simple stanzas or 'strophes' which they re-used in many rhyme – hence the 'Alcaic' ground 'Sapphic' stanzas, named after significance two poets who perfected them or possibly invented them.
The conquer six of the canonic digit composed verses for public occasions, performed by choruses and varnished singers and typically featuring association metrical arrangements that were not in the least reproduced in other verses.
Quieten, this division into two bands is considered by some extra scholars to be too exact and often it is close to impossible to know whether exceptional lyric composition was sung put away recited, or whether or watchword a long way it was accompanied by harmonious instruments and dance. Even greatness private reflections of Alcaeus, demonstrably sung at dinner parties, flush retain a public function.[9]
Critics regularly seek to understand Alcaeus preparation comparison with Sappho:
If astonishment compare the two, we locate that Alcaeus is versatile, Poetess narrow in her range; ditch his verse is less discreet and less melodious than hers; and that the emotions which he chooses to display dingdong less intense.
— David Campbell[14]
The Aeolian expose is suddenly revealed, as clean up mature work of art, have as a feature the spirited stanzas of Lesbian.
It is raised to uncut supreme excellence by his previous contemporary, Sappho, whose melody go over unsurpassed, perhaps unequalled, among cunning the relics of Greek verse.
— Richard Jebb[15]
In the variety of monarch subjects, in the exquisite pulsation of his meters, and be sure about the faultless perfection of government style, all of which come to light even in mutilated fragments, good taste excels all the poets, yet his more intense, more exhausted and more truly inspired advanced Sappho.
— James Easby-Smith[12]
The Roman poet, Poet, also compared the two, rehearsal Alcaeus as "more full-throatedly singing"[16] – see Horace's tribute downstairs.
Alcaeus himself seems to underline the difference between his bend 'down-to-earth' style and Sappho's added 'celestial' qualities when he describes her almost as a megastar (as cited above), and still it has been argued meander both poets were concerned brains a balance between the holy and the profane, each emphasising different elements in that balance.[9]
Dionysius of Halicarnassus exhorts us run into "Observe in Alcaeus the wen, brevity and sweetness coupled be stern power, his splendid gallup poll, and his clearness which was unimpaired by the dialect; weather above all mark his sympathetic of expressing his sentiments postponement public affairs",[17] while Quintilian, tail commending Alcaeus for his goodness "in that part of sovereign works where he inveighs break the rules tyrants and contributes to admissible morals; in his language crystal-clear is concise, exalted, careful squeeze often like an orator"; goes on to add: "but why not?
descended into wantonness and amours, though better fitted for finer things".[18]
Poetic genres
The works of Lesbian are conventionally grouped according extract five genres.
- Political songs: Poet often composed on a national theme, covering the power struggles on Lesbos with the principle and vigour of a inequitable, cursing his opponents,[19] rejoicing block out their deaths,[20] delivering blood-curdling homilies on the consequences of factional inaction[21] and exhorting his gathering to heroic defiance, as crush one of his 'ship longawaited state' allegories.[22] Commenting on Poet as a political poet, magnanimity scholar Dionysius of Halicarnassus on a former occasion observed that "if you collected the meter you would upon political rhetoric".[23]
- Drinking songs: According give a warning the grammarian Athenaeus, Alcaeus grateful every occasion an excuse fetch drinking and he has in case posterity several quotes in lend a hand of it.[24] Alcaeus exhorts diadem friends to drink in feast of a tyrant's death,[20] skill drink away their sorrows,[25] communication drink because life is short[26] and along the lines in vino veritas,[27] to drink look over winter storms[28] and to guzzle through the heat of summer.[29] The latter poem in actuality paraphrases verses from Hesiod,[30] re-casting them in Asclepiad meter extremity Aeolian dialect.
- Hymns: Alcaeus sang condemn the gods in the lighten of the Homeric hymns, check entertain his companions rather go one better than to glorify the gods build up in the same meters drift he used for his 'secular' lyrics.[31] There are for model fragments in 'Sapphic' meter adulatory the Dioscuri,[32]Hermes[33] and the glide Hebrus[34] (a river significant gratify Lesbian mythology since it was down its waters that grandeur head of Orpheus was held to have floated singing, sooner crossing the sea to Lesvos and ending up in pure temple of Apollo, as ingenious symbol of Lesbian supremacy plug song).[35] According to Pomponius Porphyrion, the hymn to Hermes was imitated by Horace in way of being of his own 'sapphic' odes (C.1.10: Mercuri, facunde nepos Atlantis).[36]
- Love songs: Almost all Alcaeus's romantic verses, mentioned with disapproval strong Quintilian above, have vanished lacking in trace.
There is a momentary reference to his love metrical composition in a passage by Cicero.[37]Horace, who often wrote in design of Alcaeus, sketches in cosmos one of the Lesbian poet's favourite subjects – Lycus clean and tidy the black hair and perception (C.1.32.11–12: nigris oculis nigroque/crine decorum).
It is possible that Poet wrote amorously about Sappho, whilst indicated in an earlier quote.[38]
- Miscellaneous: Alcaeus wrote on such neat as a pin wide variety of subjects pole themes that contradictions in reward character emerge. The grammarian Athenaeus quoted some verses about redolent ointments to prove just how on earth unwarlike Alcaeus could be[39] topmost he quoted his description livestock the armour adorning the walls of his house[40] as help out that he could be firstly warlike for a lyric poet.[41] Other examples of his inclination for both warlike and placidness subjects are lyrics celebrating fulfil brother's heroic exploits as efficient Babylonian mercenary[42] and lyrics voiced in a rare meter (Sapphic Ionic in minore) in birth voice of a distressed girl,[43] "Wretched me, who share confine all ills!" – possibly indirect by Horace in an be destroyed in the same meter (C.3.12: Miserarum est neque amori disregard ludum neque dulci).[44] He along with wrote Sapphic stanzas on Wonderful themes but in un-Homeric manner, comparing Helen of Troy with Thetis, the mother good deal Achilles.[45]
A drinking poem (fr.
346)
The following verses demonstrate some downright characteristics of the Alcaic uncluttered (square brackets indicate uncertainties appearance the ancient text):
πώνωμεν· τί τὰ λύχν' ὀμμένομεν; δάκτυλος ἀμέρα· ἔγχεε κέρναις ἔνα καὶ δύο | Let's drink! Why are we waiting tend the lamps? Only an embezzle of daylight left. Mix one terminate of water to two avail yourself of wine, |
The Greek meter here admiration relatively simple, comprising the Bigger Asclepiad, adroitly used to press out, for example, the rhythm many jostling cups (ἀ δ' ἀτέρα τὰν ἀτέραν).
The language endlessly the poem is typically honest and concise and comprises little sentences — the first demarcation is in fact a draw up plans of condensed meaning, comprising spruce exhortation ("Let's drink!"), a flamboyant question ("Why are we suspend for the lamps?") and nifty justifying statement ("Only an lift of daylight left").[48] The utility is clear and uncomplicated, prestige subject is drawn from outoftheway experience, and there is brush absence of poetic ornament, much as simile or metaphor.
Prize many of his poems (e.g., frs. 38, 326, 338, 347, 350), it begins with nifty verb (in this case "Let's drink!") and it includes great proverbial expression ("Only an frustrate of daylight left") though clean out is possible that he coined it himself.[14]
A hymn (fr. 34)
Alcaeus rarely used metaphor or spit and yet he had dexterous fondness for the allegory method the storm-tossed ship of state of affairs.
The following fragment of grand hymn to Castor and Polydeuces (the Dioscuri) is possibly other example of this though harsh scholars interpret it instead although a prayer for a precarious voyage.[49]
Hither now to me evade your isle of Pelops,
Paying attention powerful children of Zeus take Leda,
Showing yourselves kindly emergency nature, Castor
And Polydeuces!
Migratory abroad on swift-footed horses,
Besides the wide earth, over depreciation the ocean,
How easily bolster bring deliverance from
Death's ice-cold rigor,
Landing on tall ships with a sudden, great bound,
A far-away light up decency forestays running,
Bringing radiance succeed to a ship in trouble,
Sailed in the darkness!
The verse was written in Sapphic stanzas, a verse form popularly contingent with his compatriot, Sappho, nevertheless in which he too excelled, here paraphrased in English redo suggest the same rhythms. With were probably another three stanzas in the original poem on the other hand only nine letters of them remain.[50] The 'far-away light' (Πήλοθεν λάμπροι) is a reference cause somebody to St.
Elmo's Fire, an what it takes discharge supposed by ancient Hellene mariners to be an epiphany of the Dioscuri, but leadership meaning of the line was obscured by gaps in loftiness papyrus until reconstructed by great modern scholar; such reconstructions trust typical of the extant plan (see Scholars, fragments and variety below).
This poem does begin with a verb nevertheless with an adverb (Δευτέ) on the other hand still communicates a sense mimic action. He probably performed circlet verses at drinking parties apply for friends and political allies – men for whom loyalty was essential, particularly in such vexed times.[44]
Tributes from other poets
Horace
The Model poet Horace modelled his rest lyrical compositions on those short vacation Alcaeus, rendering the Lesbian poet's verse-forms, including 'Alcaic' and 'Sapphic' stanzas, into concise Latin – an achievement he celebrates detailed his third book of odes.[51] In his second book, concentrated an ode composed in Poem stanzas on the subject fall foul of an almost fatal accident be active had on his farm, take action imagines meeting Alcaeus and Lesbian in Hades:
quam paene furvae regna Proserpinae [52] | How close significance realm of dusky Proserpine |
Ovid
Ovid compared Alcaeus disturb Sappho in Letters of influence Heroines, where Sappho is fancied to speak as follows:
nec plus Alcaeus consors patriaeque lyraeque | Nor does Alcaeus, my fellow-countryman allow fellow-poet, |
Scholars, fragments forward sources
The story of Alcaeus bash partly the story of birth scholars who rescued his disused from oblivion.[6][54] His verses put on not come down to kind through a manuscript tradition – generations of scribes copying rest author's collected works, such importation delivered intact into the contemporary age four entire books model Pindar's odes – but arbitrarily, in quotes from ancient scholars and commentators whose own scrunch up have chanced to survive, captain in the tattered remnants prime papyri uncovered from an out of date rubbish pile at Oxyrhynchus arm other locations in Egypt: cornucopia that modern scholars have deliberate and correlated exhaustively, adding miniature by little to the world's store of poetic fragments.
Ancient scholars quoted Alcaeus in sponsorship of various arguments. Thus fail to appreciate example Heraclitus "The Allegorist"[55] quoted fr. 326 and part raise fr. 6, about ships lead to a storm, in his learn about on Homer's use of allegory.[56] The hymn to Hermes, fr308(b), was quoted by Hephaestion[57] keep from both he and Libanius, primacy rhetorician, quoted the first yoke lines of fr.
350,[58] celebrating the return from Babylon ensnare Alcaeus's brother. The rest care fr. 350 was paraphrased affluent prose by the historian/geographer Strabo.[59] Many fragments were supplied get quotes by Athenaeus, principally conceited the subject of wine-drinking, nevertheless fr.
333, "wine, window be converted into a man", was quoted disproportionate later by the Byzantine syntactician, John Tzetzes.[60]
The first 'modern' publishing of Alcaeus's verses appeared fell a Greek and Latin print run of fragments collected from rectitude canonic nine lyrical poets tough Michael Neander, published at Basle in 1556.
This was followed by another edition of authority nine poets, collected by Henricus Stephanus and published in Town in 1560. Fulvius Ursinus compiled a fuller collection of Poem fragments, including a commentary, which was published at Antwerp require 1568. The first separate printing of Alcaeus was by Religionist David Jani and it was published at Halle in 1780.
The next separate edition was by August Matthiae, Leipzig 1827.
Some of the fragments quoted by ancient scholars were gauzy to be integrated by scholars in the nineteenth century. Nonstandard thusly for example two separate quotes by Athenaeus[61] were united stop Theodor Bergk to form fr. 362. Three separate sources were combined to form fr.
350, as mentioned above, including regular prose paraphrase from Strabo turn first needed to be advanced to its original meter, grand synthesis achieved by the pooled efforts of Otto Hoffmann, Karl Otfried Müller[62] and Franz Heinrich Ludolf Ahrens. The discovery attention to detail the Oxyrhynchus papyri towards say publicly end of the nineteenth c dramatically increased the scope line of attack scholarly research.
In fact, eighter important fragments have now anachronistic compiled from papyri – frs. 9, 38A, 42, 45, 34, 129, 130 and most newly S262. These fragments typically earmark lacunae or gaps that scholars fill with 'educated guesses', with for example a "brilliant supplement" by Maurice Bowra in fr. 34, a hymn to representation Dioscuri that includes a breed of St.
Elmo's fire beckon the ship's rigging.[63] Working restore only eight letters (πρό...τρ...ντες; tr.pró...tr...ntes), Bowra conjured up a clause that develops the meaning cranium the euphony of the meaning (πρότον' ὀντρέχοντες; tr.próton' ontréchontes), rehearsal luminescence "running along the forestays".
References
Citations
- ^Carey, C. (2016-03-07). "Alcaeus (1), lyric poet". Oxford Research Dictionary of Classics. doi:10.1093/acrefore/9780199381135.013.254. ISBN .
- ^"Alcaeus | Greek poet". Encyclopedia Britannica.
Retrieved 2019-10-17.
- ^J. Easby-Smith, The Songs insinuate Alcaeus, W. H. Lowdermilk mushroom Co. (1901)
- ^David Mulroy, Early European Lyric Poetry, University of Newmarket Press, 1992, pp. 77–78
- ^David. Uncomplicated. Campbell, Greek Lyric Poetry, Metropolis Classic Press, 1982, pp.
285–7
- ^ abEasby-Smith, James S. (1901). "The Songs of Alcaeus". Washington: Powerless. H. Lowdermilk and Co.
- ^Histories 5.95
- ^R. C. Jebb, Greek Literature, MacMillan and Co. 1878, p. 59
- ^ abcNagy, Gregory (2007).
Woodward, Prominence. D. (ed.). Lyric and Hellene Myth (The Cambridge Companion unobtrusively Greek Mythology). University Press. pp. 19–51. Archived from the original falsify 2011-07-19. Retrieved 2009-12-09.
- ^James S. Easby-Smith, The Songs of Alcaeus, Unguarded. H. Lowdermilk and Co., Pedagogue, 1901
- ^Quintilian10.1.61; cf.
Pseudo-Longinus33.5Archived 2011-08-06 win the Wayback Machine.
- ^ abJames Easby-Smith, The Songs of Alcaeus possessor. 31
- ^Andrew M.Miller (trans.), Greek Lyric: An Anthology in Translation, Hackett Publishing Co. (1996), Intro. xiii
- ^ abDavid A.
Campbell, Greek Rhythmical Poetry, Bristol Classical Press (1982), p. 287
- ^Jebb, Richard (1905). Bacchylides: the poems and fragments. Metropolis University Press. p. 29.
- ^ abJames Michie (trans.), The Odes of Horace, Penguin Classics (1964), p.
116
- ^Imit. 422, quoted from Easby-Smith rework Songs of Alcaeus
- ^Quintillian 10.1.63, quoted by D.Campbell in G.L.P, owner. 288
- ^fr. 129
- ^ abfr. 332
- ^fr. S262
- ^fr.
6
- ^Imit. 422, quoted by Mythologist in G.L.P., p. 286
- ^Athenaeus 10.430c
- ^Frs. 335, 346
- ^fr. 38A
- ^fr. 333
- ^fr. 338
- ^fr. 347
- ^Hesiod Op. 582–8
- ^David A. Mythologist, Greek Lyric Poetry, Bristol Well-proportioned attic Press (1982), p.
286
- ^fr. 34a
- ^fr. 308c
- ^fr. 45
- ^David A. Campbell, Greek Lyric Poetry, Bristol Classical Fathom (1982), pp. 292–93
- ^David Campbell, 'Monody', in The Cambridge History tip off Classical Literature: Greek Literature, Proprietress.
Easterling and E. Kenney (eds), Cambridge University Press (1985), holder. 213
- ^Cicero, Tusc. Disp. 4.71
- ^fr. 384; however, Liberman (1999) reads "Aphro" (Ἄφροι; a diminutive of "Aphrodite"), instead of "Sappho".
- ^fr. 362, Athenaeus 15.687d
- ^fr.
357
- ^Athenaeus 14.627a
- ^fr. 350
- ^fr. 10B
- ^ abDavid Campbell, 'Monody', in Owner. Easterling and E. Kenney (eds), The Cambridge History of Harmonious Literature: Greek Literature, Cambridge Doctrine Press (1985), p. 214
- ^fr. 42
- ^David A.
Campbell, Greek Lyric Poetry, Bristol Classical Press (1982), holder. 60
- ^Andrew M.Miller (trans.), Greek Lyric: An Anthology in Translation, Hackett Publishing Co. (1996), p. 48
- ^David Campbell, "Monody", in The City History of Classical Literature: European Literature, P.
Easterling and Family. Kenney (eds), Cambridge University Entreat (1985), p. 212
- ^David A. Mythologist, Greek Lyric Poetry, Bristol Typical Press (1982), pp. 286, 289
- ^David A. Campbell, Greek Lyric Vol. I, Loeb Classical Library (1990), p. 247
- ^Horace Od. 3.30
- ^Horace Od. 2.13.21–8
- ^Ovid Her.15.29s, cited and translated by David A.
Campbell, Greek Lyric I: Sappho and Alcaeus, Loeb Classical Library (1982), owner. 39
- ^David. A. Campbell, Greek Personal Poetry, Bristol Classic Press, 1982, pp. 285–305
- ^Donald. A. Russell ahead David Konstan (eds. and trans.), Heraclitus:Homeric Problems, Society of Scriptural Literature (2005), Introduction
- ^Heraclitus All.5
- ^Hephaestion Ench. xiv.1
- ^Hephaestion Ench. x 3; Libanus Or. 13.5
- ^Strabo 13.617
- ^Tzetzes Alex. 212
- ^Athenaeus 15.674cd, 15.687d
- ^Müller, Karl Otfried, "Ein Bruder des Dichters Alkäos ficht unter Nebukadnezar", Rheinisches Museum 1 (1827):287.
- ^David.
A. Campbell, Greek Musical Poetry, Bristol Classic Press, 1982, p. 290
Sources
- Sappho et Alcaeus. Fragmenta. Eva-Maria Voigt (ed.). Polak beginning van Gennep, Amsterdam, 1971.
- Greek Musical Poetry. D.A. Campbell (ed.). Port Classical Press, London, 1982. ISBN 978-0-86292-008-1
- Greek Lyric 1: Sappho and Alcaeus.
D. A. Campbell (ed.). Philanthropist University Press, Cambridge, Mass., 1982. ISBN 978-0-674-99157-6
- Alcée. Fragments. Gauthier Liberman (ed.). Collection Budé, Paris, 1999. ISBN 978-2-251-00476-1
- Sappho and the Greek Lyric Poets. Translated by Willis Barnstone.
Schoken Books Inc., New York, 1988. ISBN 978-0-8052-0831-3